50 cents get rich or die tryin album artwork12/18/2022 Dre, with the duo acting as the albums executive producers, who worked to combine the gangsta rap and R&B combo prevalent in New York hip hop. After signing with Eminem, 50 Cent also worked heavily with Dr. An artist capable, like those of old, of dropping “In Da Club” on the same album as “Many Men. Get Rich or Die Tryin is the debut studio album by American rapper 50 Cent.It was released on February 6, 2003, by Shady, Aftermath and Interscope. The result you’d get, and the rapper hip-hop got, was 50 Cent. distinctive, radio-friendly voice that at the same time doesn’t convey softness (think Snoop, Biggie)Īnd to top it off, you’d provide top shelf production.mainstream-ready charisma (think Eazy-E) while maintaining an intimidating presence (think DMX).storybook, cred-legitimating upbringing (mixing the violent past of the Wu-Tang Clan, the street mentality of Nas, and the drug-dealing background of Jay Z).In 2003, if you were to construct a rapper in a lab, with the sole intent of revitalizing hip-hop along these lines, you’d implement these characteristics: What was missing was a rapper who could appeal to both styles simultaneously. Jay Z was carrying the torch for a while but came to easily outgrow the streets. Over at Def Jam, DMX was finding lots of success by projecting a rabid, growling, unleashed style of hardcore rap (with the occasional prayer interlude - you know, for forgiveness - thrown in). Yet his street-level attempts - trying to get Mase to tap into his “Murda Mase” roots on certain tracks signing The Lox, a gansta-ish outfit led by street-favorite Jadakiss and inserting the odd hardcore track into Bad Boy releases - didn’t quite pan out. had “Juicy” on the same album as “Gimme the Loot” “Hypnotize” on the same album as “Notorious Thugs.” When Biggie was tragically gunned down, a few months after 2pac suffered the same fate, Puff Daddy struck gold with radio-friendly tribute tracks. And the rap game itself has gone back and forth between the two styles. N.W.A.’s breakthrough demonstrated it wasn’t just “graffiti and breakdance” hip-hop that could find a way through, but certifiably angry, gangsta rap - hip-hop of a grittier, grimier variety - could sell out stadiums and put out platinum records.Įver since, hip-hop artists with a potential for dual citizenship have oscillated between the two approaches. Run D.M.C.’s commercial breakthrough showed rap’s mainstream viability.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |